
导读:Everybody is good, today I want to lecture on the topic is about the Michael JacksonfamilyMichael Joseph Jackson [195882
Everybody is good, today I want to lecture on the topic is about the Michael Jacksonfamily
Michael Joseph Jackson [1958829 20090625] -- King of pop music, is a symbol of characters in the world of pop culture, all over the world with high visibility and great influence
Pop music, rock music, soul music, R&B, DISCO, HIP HOP, versatile pop singer songwriter, singing and dancing king, Album Producer, actor, screenwriter,director, producer MV, biographer, painter, poet, dancer, singer, performer,collector, philanthropist, musician, artist entrepreneur, inventor,, traveler,humanitarian, pacifist, perfectionist, vegetarian, fashion, entertainmententhusiasts, musicians, songwriters, audio-visual effects of planning, editing, andconcept guiding theme creative executive director, costume designer, video game score, charity founder
He was the Guinness book of world records as the history of mankind's greatest entertainer, is praised as the king of pop music, world music is unique theinfluential man, the performing arts circle, from twentieth Century since 80 to create a legend of the era for the whole of modern popular music history Michael Jackson is the strongest capacity to dance singer in the world, no one His dance talent is extremely strong, five years old when he can make spin around three laps to actionMICHAEL JACKSON proficient dance has more than 10 kinds of, like a tap dance,jazz dance, jive, samba, locking All have one's words at hand, of course, and he that to imitated by countless people walk on the moon (the first, the steps are not MJ but it swept the world is MJ), and have personal invention patent 45 degreetilt His dance influenced many singers and professional choreographer, are other areas of Ice Prince Plushenko Bingwu champions imitation, and his great influencein the world, promotion, popularization, popular
About his portfolio
The Jackson 5 is a Motown at the end of a great, is also one of the most successfulpop group the 70's Combination formed by five brothers: Jackie, Tito, Jerm,Marlon and Michael Jackson [1] they grew up in Gary, Indiana, is the first by his father Joe Jackson singing group in 1966 organization Basically they are all around Michael singer performing, although he was the youngest, but obviouslyhe's most gifted
About his former father-in-law
Elvis Presley (Elvis, Elvis Presley, Aron Presley, 193518 1977816) the most influential singer America rock music history, there is the king of rock and roll call
In twentieth Century 50, Elvis Presley music began sweeping the world His musictranscends racial and cultural boundaries, the country music, Bruce music and mountain rock music together, forming a unique style has a distinct personality,strong shock at the time of the pop world, and let the rock began as a whirlwindswept the world music scene
According to estimates, Elvis Presley has sold more than 300000000 albums, is one of the most popular singers in industry history
About his sister
Jenny Jackson is a pop singer and actor America famous She was born into a musical family Jackson family, is the youngest member of the family Jeanne to thesoul, dance for the capital, is recognized as the most western music dancingfemale artist, become one of the most popular female singer commercial and artistic achievements of the last century 80 to 90 years, is the western pop music superstarlevel character In the world, Jenny Jackson has many fans, the album sales of more than billion, with 10 singles champion in American She has won five Glamoraward In the ninety's with Madonna, Whittney Houston, Mariah Carey was known as the "four days later"
结尾自己加吧!
an artistic endeavor , endeavor 本身有努力的意思,翻译成艺术倾注,对于这些人来说,一个精美绝伦的文身其中的艺术倾注堪比文艺复兴时期伟大画家的艺术创作。
天呐~咋的这么长滴!我当翻译练习做的,楼上那个肯定对的我怎么看怎么怪异啊orz,希望能跟nidorino大交流学习!
一小段一小段地发 :(笑)
休巴克:下午好!也许你会在思量奥林匹克运动会(奥运)的重要性和它对运动员们的意义。嗯,那三个“聪明人”应该是知道的,应为他们已经度过了十二个奥运会。那么,就让我们说(那个“let's say”不会翻啊泪!)我们在这里,北京。我们现在正处于这巨大的九万一千座的体育馆。它是国家体育馆;它被人们亲昵地称为“鸟巢”。我们正准备着它所承诺的(翻成被动很怪的~),一个真正壮观的开幕式。它将会在它所承诺的八点钟开始(翻not until也很怪啊可恶!)当地时间2008年8月8日8点(是晚上八点啊但是这外国人没说明)。所以你不会错过任何细节。(a thing 应该是细节吧?)
但是直到现在,体育与政(啊)治有着这样的不稳定的失衡。(这句也是有点怪,不要谈政治行不?)政治冲突,国际争辩和环境威胁依然存在。并且,自从中华人民共和国在2001年取得奥运的举办权以来,一直存在许多争论。休(Huw),世界在注视着北京为首的中国(什么是chian around beijing),你能够为我们从政治的层面解释一下奥运吗?(意译啊意译)
休 爱德华斯(Huw Edwards):嗯,休(Sue,指休巴克),这事很不容易。基本上,中国正在对世界这样说的:我们是二十一世界的超级大国;我们能够做史上最好的奥运。他们在奥运上花费了400亿美元。只要他们关注的,没有东西能够出差错。
休巴克:嘉莉(Carrie),你能够告诉我们奥运对中国人民来说代表着什么吗?
嘉莉 雷格斯(Carrie Gracie):噢,就我所看到的,这里的人们真的隔离于(=没有被影响)我们刚刚提及的负面信息:那些抗议,环境威胁,严峻的安全问题。大多数人妄自尊大。经过七年的筹备,他们的(奥运)盛会已蓄势待发。
休 巴克:还有其它事情杂夹其中呢,迈克尔(Michael)。譬如说,为了今晚的开幕式,总统布什正在现场。这是美国总统首次到别的国家观看开幕式。美国国内对此是如何反应呢?(完成时没翻出啊泪)
休巴克:这里面,迈克尔的其他问题。例如,美国总统布什一行是今晚的开幕式。首次美国总统关于开幕式的外国土壤。什么来一直在美国回国的反应?
迈克尔 约翰逊(Michael Johnson)(奥运四面金牌得主(1992-2000)):我想人们不会真的惊讶于他决定来这里,并且我认为他的觉得没有那么政治化。我想,不管国内人们是怎么想的,他所以作出这个私人决定,可能是因为他想利用这个机会来这里,看看这个(开幕式),成为开幕式的一份子。
休 爱德华斯:这就是第二十九届奥运会的开始。(how没了……)。2008位鼓手正在用前所未有的方式敲打着,倒数着。这些鼓手正营造一种超凡的如电子般(electrifying)的效果。
休 巴克:这些大鼓让人想起2008位4000岁的先人。
休 爱德华斯:他们等待着一个信号。北京长达七年的等待的最后倒数。还剩一分钟。
休 爱德华斯:携带着精准信息的鼓手们,他们的活力充满鸟巢体育馆。。
休 巴克:是的,这信息来自于2500年前孔子的话:“有朋自远方来,不亦说乎。”
休 爱德华斯:这是穿过北京中心鸟瞰的景象。烟花以燃烧着的足印的形状,从天安门广场开始,沿着中轴线,向奥体公园和新国家体育馆迈进。
休 巴克:这里,很多象征帝国时期中国的意象。(意译啊)孔子,革(-)命时期的象征(of course没了),现在,以他特有的形式回来了。通过紫禁城(故宫)这些帝国时期通途和所有标示5000年统一帝国历史的特殊标识,也以它们的形式回来了。
休 爱德华斯:这个开幕式将会用两万枚烟花,光尘(?dust)将用于制作奥运五环。五环代表五个大陆,象征奥林匹克(大家庭?)的团结,体育活动中人类的团结。
休 巴克:你可以看到表演者悬浮着,利用连接这个体育馆顶部的粗线浮在空中,缓缓降落。值得注意的一点是,这是一种21世纪所继承的的 敦煌石窟里佛教形象(you find on 没了)。这反映出唐朝中国西北部开拓的丝绸之路。
休 爱德华斯:魔法般用光尘制作的五环,不知不觉在这个体育馆升起。(now不见了),预示着中国奥林匹克运动会的到来。
这个非常新颖的开幕式的幕后天才,张艺谋,在(美国)国内也非常有名(?)。在某种程度,他是当代中国的传奇。前几天,他告诉我们,他想在这个开幕式中向世界表达:浪漫、家庭。
休 爱德华斯:他也说到中国对它的5000年文明非常自豪。它不怕现代化(的改造)。
(中国升旗仪式后)
另外一个壮观的烟花表演,不仅在奥林匹克体育馆上空,而且是在整个城市的上空。鲜红的旗帜在国家体育馆中飘扬。这鲜红的旗帜同样诉述某些中华民族的历史吗,嘉莉?
嘉莉 格雷斯:嗯,是的,那是我们在这个开幕式将要说到中国共产主义。旗上的五颗星象征国家的团结和中共党的领导地位。但是我们将要更多的提及传统物的代表,(例如)书法,文化,以及中国古代的诡辩论(思想)。
休 爱德华斯:诚然。这里的表演即将开始,我们将会享受到中国不同历史阶段,不同方面的中国历史。它们有些相对平和,有些(却是)非常震撼。(意译)
(设计师)非常聪明,他们带领我们从这小短片里介绍主题的卷轴到这个现实中的卷轴。就是在舞台地板中央的这个实体卷轴。它至少有25米宽,长度覆盖整个舞台。所以,相信我,它是很大的。生动的图画将会绘到这上面。
嘉莉 格雷斯:我们正要说到中国唐朝时代发展的水墨画。首先,艺术家们滴几滴水在砚台上,打圈磨墨,然后用毫毛笔或马毛笔作画。
休 爱德华斯:随着作画的继续,一股显示中国历史进程的文化象征在画卷上流动。做得非常好。
嘉莉 格雷斯:这个时候,我们还听到的了古琴,古代七弦乐器。在这个开幕式里,我们将会看到许多中国乐器。这个(古琴)是在中国人看来最和谐悦耳的乐器之一。整个开幕式的主题就是 和。
休 爱德华斯:这古琴,正如中国人所说的那样,有3000年的历史背景。他们声称这是世界上最古老的弹拨乐器。我肯定存在着其它的说法,但这是目前的说法。
嘉莉 格雷斯:这些是孔子的“三千弟子”。他是否真的有三千弟子?那并不重要。在这个演出中,他确实拥有三千。他们咏唱着孔子最有名的著作,论语中的句子:“四海之内皆兄弟。”
休 爱德华斯:他们秉持竹简,一种刻写竹片 以线连结成的书。同样,体育馆内,这些人的气势非凡。
孔子的三千弟子政治赞美知识,赞美中国的哲学。当然,这些知识以书本和纸张形式呈现,以 我们将要看到的——印刷体 的形式呈现。
嘉莉 格雷斯:无论是否受欢迎,孔子习惯于对权贵说真话。——这里我们有第一个活字印刷术的例子。大约在公元1041,中国摆脱陶片,创造了活字印刷。而在欧洲,(直到)13世纪50年代的欧洲,才出现活字印刷,渐渐地,人们把翰尼斯 古腾堡发明的活字印刷当作活字印刷术的独立发明。(希望我理解没错)
我们看到,这里(正上演的)是一个汉字的演变过程,一个作为今晚所有项目线索的汉字。这个汉字是“和”,它的意思是和谐。
活字印刷起源于6世纪的隋朝。毕升,在宋朝改良这项技术。他造出粘土字模和字版(专业术语我不会啊)。每个中国学生(都会)被告知活字印刷术是中国古代四大发明之一。另外的三样是火药、纸、和指南针。这是现代汉字“和”,在今天中国你能看到的字体
休 爱德华斯:桃花,浪漫而喜庆,在中国代表着甜蜜,和平和爱。
2008北京奥运会开幕式美国NBC电视台
专题解说词:(这个video很好看,建议去look look)
The footprints in their history stretch back 5000 years,
他们历史的足迹延伸到5000年前
but for the world's greatest wall builders,
但是作为世界最长的城墙的建筑者
makers of a forbidden city,
紫禁城的制造者
what happens tonight is not merely a small step,
今晚所发生的不仅仅是一小步
but a great leap
而是一个伟大的飞跃
China is welcoming the world
中国正欢迎着世界
Who will they be when this is over
当这结束的时候,他们将变成什么?
The clock of their lives has been beating with a screaming urgency
他们的生命之钟已经敲击起激动人心的紧密节奏
They have pushed themselves to be as sharp as a razor's edge,
他们已经让自己如刀刃般锐利
for this summer,
这个夏天
to be here,
来的这里
now,
现在
and nowhere else
并非别处
Beijing, the first ever Olympics for the world's most populous nation,
北京,首个在世界上人口最多的国家举行的奥运会
13 billion who framed the front-page story of the 21st century,
13亿人构成21世纪的封面故事
a China both outside time
中国,突出于时代
and bursting every which way in a bewildering rush of transformation
在令人目眩的冲劲中 爆发改革(这两句不会翻,下面应该是在说运动员们的)
They have made themselves anew,
他们从新塑造自己
relentlessly,
残酷地
devotedly,
一心一意地
so they might, on these days (if you want)
所以他们能够,在这些日子(如果你想)
step into history
迈进历史
They've submitted to an uncompromising search for mastery,
他们已经开始了一个 为熟练技艺 永不妥协的探索。
repetitive motion, technique polished toward an impossible(guys) ideal
重复的动作,向一个不可能的理想磨练技艺
fall
跌下
fail
失败
get up
起来
It's not the triumph,but the struggle
它不是胜利,而是奋斗
It's not the triumph,but the struggle
它不是胜利,而是奋斗
It's not the triumph, but the struggle
它不是胜利,而是奋斗
Not the triumph,but the struggle
不是胜利,而是奋斗
Why did they begin
为什么他们要开始?
Why do they endure
为什么他们要忍受?
It is time for the colorful clash of a universe of shimmering, still to be written biographies
这是宇宙微光的七彩碰撞的时候,仍未写入传记
It is time to chase eternal youth
这是追逐永恒的青春的时候
Time to defy public heartbreak, laws of gravity
是挑战公众失望,重力定律的时候
Time for a Jamaican lightening bolt,
是给牙买加闪电的时间(某个田径运动员,名字忘了)
California brilliance
加利福尼亚的光辉
It is time for the sweetly engaging gymnast from West des Moines,
这是给来自西梅因州甜美迷人的体操运动员的时间(柳金吧?)
and the poised daughter of a decorated Olympian
和一个厉害的前奥运选手的镇定的(平衡的)的女儿(这女的父亲以前是奥运选手,poised一语双关,说那女的是玩平衡木的,也是说她的性格)
It is time for the one who has endured the grinding burden of mind-blowing expectations
这是给那位忍受令人眩晕的强大压力的运动员的时间(刘翔哥哥~)
Time for the headliner of the Athens games to play superman all over
给雅典奥运完美扮演超人的标题人物的时候
Are we about to see the fastest race ever
我们准备好看有史以来最快的赛跑吗?
A dynasty confirmed
一个皇朝的诞生?
A victory cheered by a billion voices
上亿把声音发出的胜利欢呼?
They have pushed themselves to be as sharp as a razor's edge,
他们已经把自己磨练的如刀刃般锋利
for the scintillating prospect of enduring accomplishments,
为了不朽造诣而闪耀的前途
to leave these games as the greatest Olympic champion of all time
让这些赛事成为史上最伟大的奥运桂冠
They have made themselves anew,
他们已从新锻造自己
for this summer,
为了这个夏天
for Beijing,
为了北京
for this
为了这
NOW !
现在!
(终于完了|||)
毕加索英文简介
Introduction
Picasso, Pablo Ruiz y (1881-1973), Spanish painter, sculptor, printmaker, draughtsman, designer, and ceramicist who spent most of his career in France He was the most famous and prolific artist of the 20th century and exercised enormous influence on his contemporaries
II Early Life and Work
Picasso was born in Málaga on October 25, 1881, the first child of a middle-class family His father José Ruiz Blasco was a mediocre painter who earned his living as a teacher of drawing Like many Spaniards, Picasso took his mother's family name as his surname
Picasso showed artistic talent at an early age His first surviving drawings were done when he was nine By his early teens, it was clear that he was exceptionally gifted In 1895 his family had moved to Barcelona, and from 1896 to 1897 he studied at the School of Fine Arts there His large academic canvas Science and Charity (1897, Museo Picasso, Barcelona), depicting a doctor, a nun, and a child at a sick woman's bedside, won a gold medal when it was exhibited in Málaga He then spent a few months at the Academy of Fine Arts in Madrid, but by this time—aged only 16—he already had his own studio in Barcelona and was eagerly experimenting with a variety of styles
III The Blue Period
In 1900 Picasso made his first visit to Paris, the goal of every ambitious artist, and for the next four years he divided his time between there and Barcelona He found the bohemian street-life of Paris fascinating, and his pictures of people in dance halls and cafés show how he assimilated the Post-Impressionism of Paul Gauguin and of the Symbolist painters called the Nabis The themes he found in the work of Edgar Degas and Henri de Toulouse-Lautrec, as well as the style of the latter, exerted the strongest influence Picasso's Blue Room (1901, Phillips Collection, Washington, DC) reflects the work of both these painters and, at the same time, shows his evolution towards the Blue Period, so called because various shades of blue, well suited to the melancholic subjects that he favoured at that time, dominated his work for the next few years (1901-1904) Expressing human misery, the paintings portray blind people, beggars, alcoholics, and prostitutes, their somewhat elongated bodies reminiscent of the style of El Greco
IV The Rose Period
In 1904 Picasso settled in Paris, living in a shabby building known as the Bateau-Lavoir (“laundry barge”, which it resembled) He met Fernande Olivier, the first of many companions to influence the theme, style, and mood of his work The next year or so of his life is known as his Rose Period, when blue was replaced by pink as the predominant colour in his work His subjects became more cheerful and included many scenes of the circus, which he frequently visited, and circus performers—bohemians outside respectable society—with whom he identified One such painting of this period is Family of Saltimbanques (1905, National Gallery, Washington, DC); in the figure of the harlequin, Picasso represented his alter ego, a practice that he repeated in later works
In 1909 Picasso moved out of the Bateau-Lavoir into an apartment with a maid By this time he had attracted influential patrons, such as the American writer Gertrude Stein, whose portrait he painted (1906, Metropolitan Museum of Art, New York), and had gained the support of the art dealer Daniel-Henri Kahnweiler, whom he met in 1907 Kahnweiler introduced Picasso to Georges Braque, another young artist whose work he handled
V Cubist Painting
In the summer of 1906, during a stay in Gosol, a remote Catalan village in the Pyrenees, Picasso's work entered a new phase, marked by the influence of Greek, Iberian, and African art The key work of this early period is Les Demoiselles d'Avignon (1907, Museum of Modern Art, New York); the title comes from the name of a street in the red-light district of Barcelona and the painting depicts five prostitutes, their figures aggressively distorted and the faces of two of them recalling the African masks that Picasso admired and collected at this time So radical in style was this picture—its surface resembling fractured glass—that it was not understood even by contemporary avant-garde painters and critics Spatial depth is absent and the ideal form of the female nude is restructured into facets—the essential features that distinguish Cubism
From the time of their first meeting in 1906 until the outbreak of World War I, Picasso and Braque worked closely together Inspired by the volumetric treatment of form seen in the late work of Paul Cézanne, they began to paint landscapes in a style later described by a critic as being made of “little cubes”, thus leading to the term “Cubism” They were concerned with breaking down and analysing form, and together they developed the first phase of Cubism, known as Analytical Cubism Monochromatic colour schemes were favoured in their depictions of radically fragmented motifs, whose several sides were shown simultaneously Picasso's favourite subjects were musical instruments, still-life objects, and his friends; one famous portrait is Daniel Henry Kahnweiler (1910, Art Institute of Chicago) In 1912, pasting paper and a piece of oilcloth to the canvas and combining these with painted areas, Picasso created his first collage, Still Life with Chair Caning (Musée Picasso, Paris)
The technique marked the transition to Synthetic Cubism This second phase of Cubism is more decorative, with colour playing a major role Picasso used Synthetic Cubism throughout his career, but by no means exclusively Two works of 1915 demonstrate his simultaneous work in completely different styles: Harlequin (Museum of Modern Art, New York) is a Synthetic Cubist painting, whereas a fine pencil drawing of his dealer, Vollard (Metropolitan Museum of Art, New York), is executed in his Ingresque style, so called because the draughtsmanship emulates that of the 19th-century French Neo-Classical artist Jean Auguste Dominique Ingres
VI Cubist Sculpture
While he was creating this revolution in painting, Picasso was doing almost equally innovative work in sculpture Traditionally there had been two approaches to sculpture—modelling (in which the form is built up from a substance such as clay) and carving (in which the form is created by removing material from a block of stone or other suitable material) Picasso changed this by putting together sculpture from pieces of commonplace material (a development of the collage elements that he sometimes included in his Cubist paintings) An example is Guitar (1912, Musée Picasso, Paris), made of cardboard, paper, and string
Picasso's sculptures in this vein were generally small and almost in the nature of jokes, but the idea was soon taken up by other sculptors in much more ambitious form Among them was the Russian painter and sculptor Vladimir Tatlin, who visited Picasso in 1914 Tatlin's variations on Picasso's method became the foundation of Constructivism, a major movement in abstract art
VII Realism and Surrealism
After the outbreak of war in 1914, Picasso continued to work in Paris In 1917 he visited Rome with the writer Jean Cocteau to meet the Russian ballet impresario Sergei Diaghilev, whose company was preparing for a production of Parade (the storyline of which was by Cocteau and the music by Erik Satie) Picasso designed the costumes and drop curtain One of Diaghilev's dancers, Olga Koklova, became Picasso's first wife In a realist style, Picasso painted several portraits of her around 1917, of their son (for example, Paulo as Harlequin; 1924, Musée Picasso, Paris), and of numerous friends The couple moved into a grand apartment in Paris and Picasso became part of the fashionable world, losing touch with his bohemian youth
In the immediate post-war period Picasso painted for a time in a style that has been called “classical” and that marked a reaction against the experimental fervour of the pre-war years Several of Picasso's most imposing works of this time feature monumentally powerful figures that have something of the solidity and grandeur of ancient sculptures, for example Three Women at the Spring (1921, Museum of Modern Art, New York) Others, such as The Pipes of Pan (1923, Musée Picasso, Paris), were inspired by mythology
This serenity was short-lived, however, for in the mid-1920s Picasso became interested in Surrealism and then started painting violently expressive pictures that reflected his despair at his increasingly unhappy marriage The Three Dancers (1925, Tate Gallery, London) is a key work in this phase of his career
Several Cubist paintings of the early 1930s, stressing harmonious, curvilinear lines and expressing an underlying eroticism, reflect Picasso's pleasure with his newest love, Marie Thérèse Walter, who gave birth to their daughter Maïa in 1935 Marie Thérèse, frequently portrayed sleeping, was also the model for the famous Girl Before a Mirror (1932, Museum of Modern Art) In 1935 Picasso made the etching Minotauromachy, a major work combining his minotaur and bullfight themes; in it the disembowelled horse, as well as the bull, prefigure the imagery of Guernica, a painting often called the most important single work of the 20th century
VIII Guernica
Picasso was moved to paint Guernica shortly after German planes, acting in support of General Franco, bombarded the Basque town of Guernica on April 26, 1937, during the Spanish Civil War Completed in less than two months, Guernica was hung in the Spanish Pavilion of the Paris International Exposition of 1937 The painting does not portray the event; rather, Picasso expressed his outrage by employing such imagery as a bull, a dying horse, a fallen warrior, a mother and dead child, a woman trapped in a burning building, another rushing into the scene, and a figure leaning from a window and holding out a lamp Despite the complexity of its symbolism, and the impossibility of definitive interpretation, Guernica makes an overwhelming impact in its portrayal of the horrors of war It now hangs in Madrid's museum of 20th-century art, the Reina Sofía Art Centre Dora Maar, Picasso's companion at the time, took photographs of Guernica while the work was in progress
IX Later Works
Picasso remained defiantly in Paris during the German occupation of the city in World War II, but after the war he lived mainly in the South of France, in Vallauris from 1948 and at Notre-Dame-de-Vie, a villa in Mougins, from 1961 until his death He continued to be extremely productive to the end of his long life (not least in ceramics, which he took up in 1946), but it is generally agreed that his post-war output is of lesser importance and interest than his earlier work He died on April 8, 1973, aged 91
中文介绍
毕加索作为法国现代画派的主要代表,是一位最富有创造性的艺术家。20世纪的艺术家、特别是西方艺术家,几乎没有未受过他的影响的。毕加索的艺术成就除去绘画以外,还涉及到各种材质的雕塑、陶艺、书籍装帧等方面。毕加索从9岁起就开始作画,无论质还是量,都是惊人的,他的作品约达六万件,仅油画一项就在万件以上。这位天才横溢的艺术家在极其漫长的创作活动的每一刻,似乎想做的都让他准确无误地做到了。
父:荷西·路易兹-布拉斯科
母:玛莉亚·毕加索-洛培兹
1881 10月25日出生于西班牙南部的马拉加
1888/9 7/8岁 在父亲(美术教师)指导下画画。
1889 8岁 完成第一件油画作品,画的是斗牛士。
1895 14岁 进入巴塞隆纳的隆哈美术学校,其父于该校任教。入学考试是古典艺术与静物写生,依规定可有一个月时间完成,毕加索在一天之内就完成了。
1896 15岁 作品"初次领圣体"参加巴塞隆纳美术与工业展。
1897 16岁 进入马德里圣费南多美术学院就读。但常不去上课,比较喜欢去"普拉多美术馆"参观。在那里,他可以接触到西班牙大师的作品:葛雷柯、委拉斯盖兹及哥雅等。 作品"科学与慈善"获马德里全国美展荣誉奖,后来又在马拉加得到金牌奖。
1898 17岁 经常出入"四只猫"酒馆,开始与前卫艺术圈往来。结织卡萨吉玛斯及日后成为其私人秘书的沙巴特斯。
1900 19岁 在"四只猫"酒馆举行首次个展。与卡萨吉玛斯首次前往巴黎,居住于蒙马特区。
1901 20岁 好友卡萨吉玛斯因失恋自杀,触发毕加索以蓝色调作画,蓝色时期开始。在弗拉画廊举行巴黎首次个展,开幕前就卖出15张画。
1902 21岁 完成"蓝色自画像"。
1903 22岁 完成"人生"。以浓郁的蓝色调表示贫、老与孤独的苦难。1900-1903年间三度回西班牙。
1904 23岁 定居于巴黎"洗衣船"。邂逅费尔南德.奥立维并同居,常去观赏马戏团的演出,粉红色时期开始。
1905 24岁 以马戏团题材创作"卖艺人家"等。画展受到重视。结识洁楚·斯坦因兄妹。
1906 25岁 在罗浮宫看到伊比利亚半岛的雕塑展,印象深刻。结识野兽派大师马蒂斯。
1907 26岁 创作"亚维农的少女"。到民俗博物馆看非洲雕塑。参观两个塞尚回顾展。结识布拉克。
1908 27岁布拉克第一次举行立体派画作展。
1909 28岁 解析立体派开始。与布拉克成为邻居。作"费尔南德头像"。
1911 30岁 首次把印刷字母放到构图中。邂逅艾娃·谷维。
1912 31岁 与费尔南德分手。完成第一个拼贴作品"藤椅静物"。与布拉克合作纸贴画,发展出合成立体主义。
1915 34岁 艾娃因肺结核逝世。
1917 36岁 至意大利为俄罗斯芭蕾舞团作舞台设计,邂逅舞者欧嘉.科克洛瓦。
1918 37岁 与欧嘉结婚。因芭蕾而与上流社会接触。与马蒂斯举行联展。
1919 38岁 认识米罗。
1921 40岁 长子保罗(1921-1975)出世。
1922 41岁 创作"海边奔跑的两个女人"。
1924 43岁 以装饰性立体派风格作许多静物画。
1916/7-1924年间多次为芭蕾舞台作设计。
1925 44岁 创作"舞",首次影射与欧嘉的紧张关系。参加超现实主义的首次展出。
1926 45岁 以集合物手法作"吉他"系列。
1927 46岁 邂逅年仅17岁的玛丽-德雷莎·华特。
1929 48岁 与雕塑家贡萨列斯一起创作雕塑和铁线构成。作系列以女人头像为题的攻击性画作,显现姻婚危机。结识达利。
1931 50岁 于柏吉卢城堡设立雕塑工作室。参加超现实主义于美国的首展。
1932 51岁 以玛丽-德雷莎为模特儿。
1933 52岁 以雕塑家工作室为题,创作蚀版画 (佛拉系列版画)。费尔南德.奥立维出版回忆录。
1934 53岁 创作以斗牛为题的作品。发表用织物做模型翻制的雕塑作品。
1935 54岁 6月与欧嘉及保罗分居。9月玛丽-德雷莎与毕加索的女儿玛亚出生。
1936 55岁 邂逅南斯拉夫女摄影师兼画家多拉·玛尔。
1937 56岁 创作"格尔尼卡"。
1939 58岁 同时画玛丽-德雷莎与多拉的同姿势肖像。
1943 62岁 邂逅22岁的方斯华姿·吉洛。作集合物"牛头"。
1944 63岁 加入法国***。
1945 64岁 于慕洛完成第一批石版画。
1946 65岁 与方斯华姿·吉洛同居。访马蒂斯。
1947 66岁 方斯华姿·吉洛生子克罗德。首次在陶艺家哈米耶工作室中制陶,至1948年共作了2000件陶艺。
1949 68岁 方斯华姿·吉洛生女帕乐玛。为世界和平会议作"鸽子"石版海报。
1950 69岁 获颁列宁和平奖章。
1953 72岁 于玛都拉陶艺工作坊邂逅杰奎琳·洛克。
1954 73岁 与方斯华姿·吉洛分手。马蒂斯逝世(毕加索曾说:"只有马蒂斯才是真正的画家")。开始创作德拉克洛瓦的"阿尔及利亚女人"变奏系列。
1955 74岁 欧嘉逝世。
1956 75岁 与克鲁佐共同拍摄**"毕加索之谜"公映。写信给***,抗议俄罗斯入侵匈牙利。
1957 76岁 画委拉斯盖兹"宫女"变奏40余张。
1959 78岁 作马内"草地上的午餐"变奏系列。
1961 80岁 与35岁的杰奎琳结婚。
1963 82岁 绘制"画家与模特儿"系列。巴塞隆纳的毕加索美术馆开幕。布拉克逝世。
1964 83岁 方斯华姿·吉洛出版回忆录,造成毕加索与克罗德及帕乐玛决裂。
1966 85岁 巴黎大皇宫及小皇宫举办大型毕加索回顾展。
1970 89岁 把西班牙家中保存的画作捐赠给巴塞隆纳毕加索美术馆。
作品
1881—1900年 童年时期
1881年 10月25日毕加索出生于西班牙南部的马拉加;
1889年 完成第一件油画作品《斗牛士》;
1895年 进入巴塞罗那的隆哈美术学校;
1897年 进入马德里的皇家圣费南多美术学院就读,油画作品《科学与慈善》获马德里全国美展荣誉奖,后来又在马拉加得到金牌奖;
1900—1903年 蓝色时期
1902年 完成“蓝色自画像”;
1903年 完成《人生》,以浓郁的蓝色调表示贫老与孤独的苦难;
1904—1906年 玫瑰时期
1904年 开始定居巴黎的“洗衣船”,玫瑰时期开始。邂逅费尔南德·奥利维叶,并同居:
1905年 创作《拿烟斗的男孩》并被慈善家约翰·海惠特尼女士以3万美元重金购得;
1906年 结识野兽派大师马蒂斯,为美国作家兼收藏家菖楚·斯坦因画像,《斯坦因画像》是毕加索从“玫瑰时期”跃入“立体主义”的跳板;
1907—1916年 立体主义时期
1907年 结识布拉克,开始立体派风格创作,创作《亚威农少女》;
1909年 解析立体派开始;创作《费尔南德头像》;
1917—1924年 古典时期
1917年 在意大利邂逅舞者欧嘉·科克洛娃,创作《欧嘉的肖像》;
1918年 与欧嘉结婚,与马蒂斯举行联展;
1920年 手工彩绘珂罗版《三角帽》;
1922年 创作《海边奔跑的两个女人》;
1925—1932年 超现实主义时期
1927年 邂逅年仅17岁的玛丽·德蕾莎·沃尔持,成为毕加索的模特。并生下女儿马姬;
1929年 与雕塑家贡萨列斯一起创作雕塑和铁线结构成。作系列以女人头像为题的攻击性画作,显现婚姻危机,结识达利;
1932—1945年 蜕变时期
1932年 创作《红色扶手椅中的女人》;
1933年 以雕塑家工作室为题,创作蚀版画
1934年 创作以斗牛为题的作品;
1936年 西班牙内战暴发。认识多拉。玛尔,并创作《多拉·玛尔的肖像》;
1937年 创作完成《格尔尼卡》;
1942年 创作版画《大自然的故事》
1943年 邂逅22岁的弗朗索娃·吉洛;
1944年 加入法国***;
1945年 开始尝试石版画创作;
1946—1973年 田园时期
1947年 儿子克洛德降生。在陶艺家哈米耶工作室制陶,至1948年共作了2000件陶艺术品;
1948年 为世界和平会议作“和平之鸽“海报和《贡戈拉的二十首诗》;
1949年 创作《卡门》系列;
1950年 获列宁和平奖章;
1953年 在玛都拉陶艺工作坊邂逅杰奎琳·洛克;
1954年 开始创作德拉克罗瓦的“阿尔及利亚女人”变奏系列;
1956年 与克罗鲁佐共同拍摄**《神秘的毕加索》公映;
1957年 在纽约现代艺术馆举办“毕加索75岁纪念展”,创作版画《斗牛系列》;
1958年 毕加索为设在巴黎的联合国教科文总部大厦创作了壁画《伊卡洛斯的坠落》;
1959年 创作仿马奈《草地上的午餐》变奏系列;
1961年 与35岁的杰奎琳·洛克结婚,并庆祝毕加索80大寿;
1963年 绘制《画家与模特儿》;
1966年 巴黎大皇宫及小皇宫举办大型《毕加索回顾展》。创作《流沙系列》;
1968年 创作《塞莱斯蒂纳》和《可笑的男人》系列版画;
1970年 把西班牙家中保存的近2000件早期作品捐赠结巴塞罗纳毕加索美术馆:
1971年 巴黎国立现代艺术馆举办了《毕加索诞生90同年回顾展》;
1973年 92岁,4月8日逝世于坎城附近的幕瞻市。4月10日葬于佛文纳菊别墅花园里
Leslie cheung is a famous singer, actor and musician who has made great sucess in both singing and acting
Leslie Cheung's Photoes (20 pictures)
With top-level acting skills, he is a super star in entertainment industry of Asia who has standed erect for 20 years He is also a rigorous, dedicated, and devoted artist with great attainments Dating back to more than ten years ago, he was already seen as a legend due to his extraordinary taste and art achievements What's more, he is also a kind, forgiving, strong and enthusiastic man that is praised by every involved one
As a singer, he is one of the representatives of Cantoness pop music who enjoys high reputation in Hongkong He was already a super star in Hong Kong music industry in the 1980s, during which he was awarded many big prizes As a musician, he wrote and composed more than fourty songs and act as the Music Ambassador of the Composers and Authers Society of Hong Kong Limited for two consecutive years While as a actor, he is the king of Chinese film industry He is well known not only in China, but also in the whole Asia He is an Asian superstar with global imfluences The American magzine "TIME" evaluated him as follows : he is a born star, a more charming, sexy, and demanding actor than any other from Hong Kong and Hollywood He is the only actor whose wax statue was palaced in the "Celebrity Hall"
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